Liz Crain Ceramics
Liz crain is a ceramic artist who creates colorful hand formed vessels and sculptures.
Liz crain ceramics. Jul 16 2015 what fun to reinvent vintage cans with handles spouts and lids from industrial to teacans. Liz crain is a ceramic artist who tries to make simple meaning out of complex input. It will just re open the wound and make it worse. You re invited to poke around.
It s the only place online to buy my ceramic artwork year round. Maybe leave a scar. I ve had some gratifying commissions in the past. The clay community is curious and inclusive.
Saying yes to a commission proposal when i swore them off. And there i am doing it again. It is a marvelously open ended exploration and images are slowly coming onto the site. See more ideas about ceramics canning spout.
As you know dear reader in the past year i have been deep into the making of radically new ceramic work. While she employs a variety of surface treatments she especially favors primitive distressed and matte finishes. You ve found my shop. While i primarily work with clay recently other art media are joining in.
Of course i know better. This video is unavailable. You found me and my art. There is still a generous supply of conetop.
It is also grand to create invented products taglines and graphics to suit. Explore the portfolio to enjoy examples of my whole body. We ve just expanded the selection categories to include my latest creative forays into knitted porcelain and fiber. Liz crain who remembers attending the davis clay conference ccaca weekend back in the day as an astonished ceramics beginner never daring to imagine being a participant in the all the exhibits and galleries she was in awe of.
After an intense year this fledgling body of. 101 things to learn in art school austin kleon ceramics clay creative process kit white learn to draw paracosm self editing seth godin steal like an artist. Fiber found objects and re purposed pieces. Ceramic work lets me include every arty thing i know about line color form surface and meaning often in surprising ways which i can barely control and perversely i rather like that.
Many of her works contain strong narrative expressive shapes and trompe l oeil surfaces. Figuring out the methods of design and construction finding and developing the best practices for it fiddling around with how far i could stretch often failing and surprisingly not minding.